This Filling Certainly Looks like Nutella ...

I think I'm getting better at this "Promptness" malarkey. (I wrote this line two weeks ago, in grand hopes that it would prompt me to get this out within a week of the last post. Stop laughing.)

Well, I promised choc chips in this turd of chapter (and Facebook keeps emailing me to berate me for not posting more frequently, because you miss me?), so I present to you:

Part Two of the Extrantaganza: Things I Actually like in this chapter.

What is this? There is something to like in anything Enid put down on paper? This will not be absolutely negative about her work? NEVER! I came for the clutching of pearls! I came for mockery of outdated stereotypes! I CAME FOR BLOOD!

Sorry to disappoint, but I thought that, in fairness, I should present some positives in this story. I don't know exactly whether my opinion is that these qualities are true qualities, or whether I have just been lulled into lowering my standards so that I accept "house trained" as a cardinal virtue. But I'm going to follow this stream and hope I don't get stuck along the way without a paddle.

So what do I like?

Well, to start, I have begun to like Elizabeth, you know, under all the tepid rebellion and Ye Olde Englishe right-sorted-ness. The realisation that this book is Malory Towers with Gwen as the heroine has worked powerfully upon me. Really softened me up.

Or perhaps it was this:

"'You know, Elizabeth, it is strange that no one would go with you,' said Rita. 'Doesn't anybody at all like you?'

'No,' said Elizabeth. 'Don't you remember,  Rita, that I told you I was going to be as horrid as could be so that I could go home? Well, everybody thinks I am very horrid, so nobody wants to talk to me or walk with me.'

'And are you really horrid?' asked Rita.

Elizabeth looked up. She was surprised that Rita should talk to her kindly, after having found her out in disobedience.  But Rita did not look angry, only very understanding and wise.

Elizabeth thought for a moment. Was she really horrid? She remembered all the governesses she had had. She remembered that Miss Scott wouldn't stay with her. Perhaps she really a truly was a horrid girl. 

'I don't know, ' she said at last. 'I believe I am horrid really, Rita. I make myself horrider than I truly am - but all the same, I believe I can't be very nice.'

'Poor little Elizabeth!' said Rita. 'I wonder what has made you grow so horrid?'"

Now, what's to like in this? I know you are reading this thinking "But this is appalling!" And trust me, the last part of my rant revisits this very passage.  And I did say that my bar was pretty low by now. But there are a couple of highlights.

Firstly, I just love how few illusions Elizabeth has about herself. She doesn't talk about how she knows how to behave really, and is just pretending;  she doesn't talk about how she would like to be good but doesn't know how; and she doesn't venture into the realm of self pity. No. When asked whether she really is horrid (which is worse than naughty, as it includes an implication that there is something about her personality that is lacking) she thinks about it and says "yeah ... I probably am." I thoroughly enjoy the lack of ego in that moment. It's just a piece of unflinching honesty, if not to say an epiphany of self-insight.

Added to that, I like how un-Enid this seems. It distinctly lacks any Rah Rah stiff upper lip-ness (lip-ity? lip-nacity?) This is almost freudian for Enid, this self-intropection. Never fear, I stopped the quote just before Enid drifted back into Enidness, and it backslides straight to "you look like such a nice girl" after this extract (so those of you who read Enid for her utter superficiality can breathe a sigh of relief). But for a moment, just one shining moment, someone is asking Elizabeth "what's going on with you?" rather than telling her "you need to do this". Low bar or not, it is a little moment of beauty.

And that's the thing. This moment, it's  the first time anyone has tried to get to know Elizabeth at all. And I don't mean the usual Enid snobbery of getting to know a person (i.e. who mummy and daddy are and are they the right sort of people - because we can't associate with the nouveau riche ...). The focus on Elizabeth's naughtiness and how she doesn't fit in, this masks the utter lack of social conscience on the part of all the oiks she shares a class with. You know, the ones so set on perpetuating the system that they forget to be human. They forget even why the system is supposed to exist, yet cling to the facade that it has created to protect itself from intruders. The problem is, there IS NO INSIDE to Enid's system. It's just a bunch of children clinging to the outside like barnacles and pretending they are on the inside ... or believing that they are.

Rita asks why. Why don't the others like you? Why are you acting like this? Is this the real you? Why is not a question asked enough in Enid-topia. System blindness is mandatory - no questioning of the way things are is allowed. I'll admit that I am reading WAY too much into this, but I'm pulling this string as far as it will take me!

I'll also give Rita credit for good intentions for her stratagem in throwing Joan and Elizabeth together. See my previous for my dislike of the actual stratagem, but the intention to foster kindness is praiseworthy (she does lose points for assuming Elizabeth is nice because she looks nice, though ...). And it must be remembered that Rita is not only a product of this system (the flaws of which I am still to get to), she is also only old in Elizabeth's eyes. And Elizabeth is ten years old. We're dealing with a teenager trying to develop a sense of kindness in an unsympathetic environment. So kudos to her.

Aaaaaaaand that's it. All I got on what I like. Let me know: am I being brainwashed by Enid into lowering my standards? Are you lowering yours? Actually, I really do want to know that - does the Enid effect work second-hand??? Iiiiiiiiiintresting ...

Next time on the final part of the extrarantaganza, we venture into the next chapter. And look more at these poor children clinging to the facade of the system.

Poor Joan My Fat Foot!

This has taken me a bit longer than I expected, mostly because it is hard to get back into the swing of indignantly recounting of events. You'll forgive me if my ability to reach the heights of outrage is a little impaired ...

So this rant thing has expanded somewhat. What was meant to be a standalone rant on a subject has blown out into a three blog post extrantaganza. THREE SEPARATE POSTS.

No wonder I balked at writing it the first time around.

So I decided to turn it into a rant sandwich, because there are parts of this chapter that I do like, or rather, that I COULD like, if it weren’t wrapped up in all the Enid-ness, that niggling wrongness that creeps through the story like yeast through bread.

The three posts on this subject will be as follows:

• Poor Joan my fat foot;
• Redeeming qualities; and
• Why the regime really fails those who most need its benefits.

The chapter itself is just two short scenes. When last we left our (not so) intrepid heroine, she had just been caught going down to the shops by herself by no less a personage than the HEAD GIRL!!! (Dun dun DUUUUUUUUNNNNN). Rita, being one of the Keepers of the Zoo that is Whyteleafe, does what no one else has thought to do and actually TALKS to Elizabeth about why she is doing what she’s doing (I told you I actually like some stuff about this chapter). Then she goes and ruins it by appealing to Elizabeth’s sense of superiority and asks her to take pity on poor friendless Joan and to try and make her life a little easier. So Elizabeth tries – and Joan essentially tells her to @#*! Off, she didn't want Elizabeth lurking round her to laugh at her some more.

Gotta say, in that moment, I really liked Joan. I also have to say that part three of this rant-a-thon will come back to that ...

But herein lies my rant. Who is Joan? She’s a name that has popped up a few times in the book, one of the girls in the same room as Elizabeth. You don’t know much about her except that she is a bit obsessed with checking the post, and the other children mock her for this rather benign obsession.

So why should Elizabeth be friends with her? Rita explains

“She hasn’t a happy home, and she comes back to school very miserable each term. She worries about her father and mother all the time, because they don’t seem to want her or to love her. They never come to see her at half term.”

They don’t come at half term? The horror! That can mean only one of two things: either her parents are poor, or they are monsters! Either way, Joan clearly must have a rough trot of it. We’re expected to presume it’s the latter because Rita continues.

“ ‘Nobody knows except me,’ said Rita. ‘I live near Joan at home, so I know.’ “

Oh, so she knows the family? What a relief. That’s all right then – it’s fine that they are monsters, as long as they are the right sort, and not … *whispers* working class.

Rita continues

“I am telling you this, Elizabeth, because if you really do mean what you say about not wanting to make other people unhappy, you can just try to make things better for Joan. She hasn’t any friend, any more than you have – but for a different reason. She is afraid of making friends in case anyone asks her to stay with them for the holidays – and she knows her mother wouldn’t bother to ask any friend back to stay with Joan. And Joan is very proud, and can’t bear to take kindnesses she can’t return. Now – there’s a job for you to do! Can you do it?”

At first glance, you might be reading this and thinking “Fen, are you thick? Can’t you see that Rita is trying to encourage Elizabeth’s good qualities by focussing her on being kind to another person? Can’t you see how admirable that is?”

Others might say “WTF is she doing giving out personal information to an admittedly naughty child? Doesn’t she know what sort of damage could be inflicted by the untrustworthy being given confidential information?”

And I’d agree with you both – hence the rant sandwich.

But here’s my true problem with this: What reason is Elizabeth given to make Joan her friend? Pity. And while that is not a dreadful reason to befriend someone, it becomes problematic when it’s the ONLY reason to befriend someone.

You see, Elizabeth, being naughty in the Enidverse, is not permitted to have a friend with any redeeming virtues. She cannot make a strong friend, or a smart friend, or anyone with any social capital that may increase her social position. No, she has to have the ugly three legged dog with a flatulence problem as her friend.

So here are Joan’s Character traits:

• She has red hair;
• She has freckles;
• She’s quiet;
• She’s not smart – demonstrably bad at French and arithmetic;
• Her parents are strange;
• Her parents don’t write to her;
•  Nevertheless, she writes to her parents;
• Children laugh at her for this inequity of letters between herself and her home.

Basically, Joan has no redeeming virtues, according to Enid. She has nothing to offer except to make Elizabeth look good. She won’t challenge Elizabeth for brains or spirit (or looks, it’s implied – she never says Joan is ugly, but red hair and freckles are a marker for Enid. The freckles more than the red hair – In Malory Towers, Clarissa has red hair, glasses and braces, but becomes pretty in an ‘unusual’ way once the latter two items are gone). She can’t offer anything to Elizabeth on this reading, as Elizabeth is about to become her teacher and protector and superior. 

The only feature she has is that she appears to have is loyalty, which is praiseworthy, but which is also what you would attribute to your dog.

And She really is written as Elizabeth’s pet. She’s given no character, no agency, nothing that could teach Elizabeth anything – even the fact that she is pitiable doesn’t rouse any new feeling in our naughtiest girl – Rita brings the subject up because Elizabeth says she doesn’t like to see other people upset. You might argue that Rita was enacting a cunning plan, one which would put benefit both girls, and that her heart was in the right place. You might well do that. But she never says anything like "you could learn a lot from Joan" or says one single positive thing about Joan. No this is all about  Elizabeth and her doing a good deed for the day. 

I loathe this characterisation. I abhor it. I am willing to get a thesaurus out to detail how much I dislike it. Truly and passionately dislike it. I mean, really: She’s unattractive and stupid and not even her parents like her? THAT’S the girl you’re going to go with, Enid?

In Malory Towers, you had Sally and her jealousy about her new sibling, and you had Marylou and her timidity. But what they had was one isolated characteristic in an otherwise independent character. Sally is smart, Marylou is liked by other people. They are rounded characters who are part of the machine and accepted despite their negative characteristic.

With Joan, you get this piling on of (apparently) negative characteristics, with an underlying sensation that this is her fault. It is HER fault for expecting the basic level of communication from her parents, and the fact that she does not receive it is a point of mockery from the other children. Her red hair and freckles are noted by Enid, which is significant because she uses physical characteristics as personality markers (see Irish Nora, Fat Ruth, and pretty Elizabeth). Joan is part of the system, but is set apart by the others. She causes no trouble, she does all the right things, but the children ostracise her, with the reader invited to join in the mockery. 

To accept this description of Joan makes the reader complicit in this warped hierarchy within the school precinct. She doesn't fit in and it's her fault. Point at her and laugh, everyone. This underlying meanness, which underpins all of the “Rah Rah” decent Enid Britishness of the school, really leaves an icky feeling under my skin as I read. Enid has created this Lord of the Flies institution, one which on the surface is all about decency and fairness, but which, as you look at Joan and her treatment, exposes its rotten core at its heart. 

And the oddest thing about that core is that I don't think that the establishment can see it. They are too young to think it anything other than part and parcel of the whole Rah Rah thing. I think that irks me the most.

So much for part one of the rant-sandwich. Next time I shall tackle the chocolate chips in this turd cookie.

Well, Look who Finally Decided to Grace the Internet with Her Presence

... Far too many of my posts start with an apology of this nature.

Anyway. Good Intentions time! As a sign of good faith - AN ACTUAL POST

Book recaps coming back soon. Promise. Cross my heart and hope to die. 

So here it is:

I have been pondering lately the wisdom of reading the latest line of Famous five books, those new novels revisiting our favourite celebrity quartet and dog as adults as they battle grown up issues – like gluten intolerance and alcohol dependence. On the face of it, this is something that would be right up my alley: it’s a mix of Enid and snark that I certainly appreciate, and it harks back to the comic strip production “Five Go Mad in Dorset”, which my sisters and I still quote at one another.

Huzzah! I thought when I saw them. More reading material for me!

Then I thought about it some more.

Part of the joy of rereading Enid as an adult comes from the fact that Enid is the straight man in the joke. One laughs and rages at Enid BECAUSE what she says and the opinions she espouses are honestly held and earnestly stated. She’s not in on the joke with the snarky reader. You can like or dislike the characters because Enid’s Earnestness separates the characters from the author. The joy of Enid is that you can enter into her sympathies to whatever extent you want. The power is in your hands. Enid writes children’s books for children, so adults can take away different things than was intended.

So when it comes to a snarky modernisation, I run into the issue of a change of perspective. Writing a children’s book for adults, you have to walk a fine line. Anne of Green Gables does it – the perspective of the narrator is clearly an adult voice, and the view taken of the child characters is fondly derisive.

Having not read any of them (I should point this out), the idea of the books that comes to me is that I’m being expected to enter into the views of the writer. I am expected to be complicit with the mocking of characters who have been re-rendered to be universally unpleasant. The characters and the opinion of the author are so intertwined that the reader cannot separate the story or the characters from the snark.

But I’ll admit that I might be a bit biased.

I’ve been burned by such literary retellings before – Pride and Prejudice and Zombies was (to me) a crushing disappointment (both the book and the film). Other than the seminal “Lizzie Bennet Diaries”, vlog classics retellings have rarely lived up to their initial promise. Stephenie Meyer tied sparkly vampires to romantic and gothic classics because … well, you gotta borrow storylines from somewhere.

Yeah, I may have had some bad experiences with non-canon material.

Even within the realm of Enid has this modern take on a classic burned me. Being a young naïve reader in the late 90s and early 2000s, I was overjoyed to learn that Enid had written 10 Naughtiest Girl books. Now, that number in and of itself was not a matter of suspicion to me at the time – the prolific typewriter basher Enid went more for bulk than nuance in her work. However, once I moved beyond “Here’s the Naughtiest Girl”, there was a change. The writing … improved. It was still mawkish and sentimental, and it carried something of the same cadence and vocabulary, but it was better. I felt betrayed.

THEN, I noticed:

•         that the stories had become more toothless, while the dramatic  stakes apparently became apparently higher.
•        Conventional and cohesive storytelling arcs were used.
•        “Modern” issues like bullying, the environment, and dealing with underlying psychological issues sensitively became more apparent.
•         Teachers became figures of overt authority in Whyteleafe school, which had previously flaunted its Lord of the Flies ambience as being the main selling point of the school’s non-traditional system.

I’d been “Sweet Valley’d” (you know, where one name is used to sell the work of a ghost writer – VC Andrews is another example).

Having realised the error in my understanding of the authorship, I was left feeling betrayed. How Dared they replace Enid with a competent alternative? How DARED they replace school fetish drivel with actual stories?

NO. I won’t have it. And although the grown up famous five might be funny and clever and much better than I expect, I’m not having anything to do with them either.

I’ve got enough to get through with the original …

Insipidity Abounds

Well, I think I figured out part of the reason I never wrote about this chapter. You know, other than my laziness and procrastination reaching epic proportions. It’s BORING! I struggled to wring any snarky comments out of myself in relation to this chapter. It’s just so BLAH! But I can’t skip it just to get to my favourite hobby-horses of this book, which is a shame. So here we go.

Only three things happen:

•  Elizabeth, feeling the pangs of conformity lost when abandoned by the right thinking majority after the meeting, happens to meet Mr Lewis, the probably-not-a-molester music teacher
• Enid shows Elizabeth how truly wonderful Whyteleafe Prison is, as it is the school Enid should have attended had the had proper parents who knew what Enid deserved.
• Elizabeth nevertheless continues her reign of terror over the easily horrified students and staff of Whyteleafe Prison.

And none of it is particularly interesting.

Let’s review each point properly, you know, since we’re here anyway.

Probably-not-a-molester Mr Lewis. Elizabeth, from whom the upstanding students of Whyteleafe flee, like good little sheep, decides to go to play the piano for a while. Which, it turns out, she is very good at (note this, I have a rant in me on the subject of Elizabeth’s perfections). She comes to a “little room” which I assume is a room to which children regularly have access, to find Mr Lewis playing the piano. Now this bothers me a little for the following reason: It’s his time off. I know a few teachers, and they guard their breaks quite zealously. I would assume a school like this would have had a separate teachers only area in which Mr Lewis might play in peace and not be disturbed.

Anyway, after establishing that Elizabeth is to have lessons with him, they decide that he can give her a lesson now, even though she mentions she’s leaving. The lesson consists of her playing a couple of pieces she already knows and him “tapping his foot” while she plays. He also manages to sound like he couldn’t give the smallest … daily bowel movement … about anything she has to say, all “dear me”’s and other non-statements which read as though he’s not even listening. I suppose he’s meant to come across as wise and kind, but I refuse to bow to Enid’s lazy implied characterisation.

The reason I call Mr Lewis “probably not a molester” is because he manages to also (in addition to his uninterested demeanour) convey a slightly creepy vibe to the adult reader. “You will be one of my best pupils” and “you must really be a very bad little girl” in their context in the story can be innocuous, but have those vague undertones of grooming … but unfortunately not enough for me to really make anything of them.

You see why I hate this chapter. I try, but there is just nothing to work with. And if there were material to work with, what fun we could have!

The second part is Enid school porn. There’s the glory that is Whyteleafe. Blah Blah Blah. It’s a list. You can escape to the village in groups, you can go to the cinema, you can go riding every day. There’s music concerts, there’s a dance every week … It sounds like one of those summer camps – like in Dirty Dancing.

Oh dear, I just tried to picture Elizabeth as Baby. No … just no.

Also, by the by, there is the possibility of friendship For Elizabeth. Joan tries to make friends with Elizabeth, and gets rejected. I tell you I have a rant coming up about that  … but not yet.

Anyway, with all the glories of Whyteleafe, Elizabeth is determined to be naughty. She puts a cat in the teacher’s desk ( … I can’t even), she turns the clock in the classroom back 10 minutes to miss arithmetic, she gets sent out of class regularly. Ho hum. Enid really isn't trying here. What does bother me is the fact that all the children laugh at her tricks, then complain about how tiresome they are. YOU CAN’T HAVE IT BOTH WAYS. If you laugh, you are complicit … but I’m still not worked up enough to rant. There are a couple in me, but just not today.

Elizabeth caps her naughtiness off by going to the village ALONE. But only after she tried to be good and everyone told her to go away. Ruth in particular, feeling her precarious social standing, makes it clear that  she won’t be seen with someone who “doesn't know how to behave in the road”. Now, beside the awkward phrasing, what is this road etiquette? Is she afraid that Elizabeth will moon  cars, or play chicken with a driver? They are walking down a road! What can possibly go wrong?

Anyway, that’s it really. This mediocre chapter is brought to an end when Elizabeth is caught by the head girl. I promise there’s a rant there. My sincere apologies for the lacklustre return, but this chapter is like reheated potatoes – floury and cold in the centre.

Next time: Why gossiping is NEVER acceptable behaviour and a prelude to my major squick with this book! Stick with me, people, good times are coming!

... yeah

So ... been a while, right?

It's unbelievable. You blink and nearly three years pass. My current Blyton under review followed me around like Banquo's ghost, silently accusing from bedside tables, suitcases and bookshelves, until I buried it somewhere in amongst my books.

However, as my books have been in storage for the better part of the past year, I have had to concede that if I want to continue to the end of this book (as has always been my intention) I would have to bite the bullet and get a new version. So I bought one on my tablet.

My whole being revolted against it. Even as I confirmed the purchase my Blyton-loving soul recoiled from the modern cover. I mean, really, the book is littered with these modern artist renderings of scenes in the book, while the prose remains steadfastly set mid-last century. It's jarring and hurts my poor little sense of the fitness of things.



Anyway, this post is just a heads up that I am coming back to this - and I'll finish it. AND I'm taking requests as to what to read/review next. A very kind friend has promised me a box of Blytons ... is it ridiculous that this is some of most exiting news I have had this year?

How the socially undesirable gain acceptance in Blytonia

Yep, I managed to disappear again. Well done me. I’m full of those damn good intentions, in that I prop my copy of Blyton on my desk (where it will shame me for not writing up the next chapter) and SWEAR that I will write it TONIGHT … then decide at 10pm that I really couldn’t do the chapter justice and I really should watch the next episode of the latest K-Drama I’m hooked on. Life is tough when there’s K-Drama about …

So anyway, I left you on something of a cliff hanger last time, what with the dreaded school meeting coming up and everything. This meeting IS the entire chapter. And I can tell you – I would never send my precious spawn (should they one day exist) within ten miles of this hell-hole.

So, it’s a school run by children – and what do they do? Adopt the trappings of their lost grown ups (three teachers sit up the back during this thrilling chapter, but “did not seem to be taking a great deal of notice of what was going on.” Of course not – why do the job you’re paid to do if you can get minions to do it for free?). Two judges (merry-eyed William and grave-looking Rita – William sounds like a bit of a smarmy git, just from that description), a bunch of monitors (we’ve met them before), and a gavel (because you can’t be an official without a wooden hammer – I like to think it’s a meat tenderizer nicked from the kitchen …). To be honest, it’s one conch shell away from a desert island.

 And they have RULES! You HAVE to obey the monitors (with no explanation as to the limits of their power and what they can order you to do), and all bad behaviour is reported and dealt with at these meetings – trial by mob. OH! But wait – reporting any person is encouraged with these words:

“Please be sure you understand the difference between a real complaint and telling tales, because telling tales is also punished”

I’m not sure I understand the difference. Given the casual acceptance of institutionalised bullying and violence, how do you suppose a whistle blower would fare in that environment? This place sends shivers down my spine – SHIVERS I tell you!

On another note – Elizabeth is an ovine-minded moron. The girl doesn’t talk, she bleats! Take this little gem, for instance: there’s a sign up for the meeting which says “Bring all the money you have” (I’ll get to this little rort in a moment), and Elizabeth does! She tells herself that she won’t hand it over, of course, but then why take it at all? The girl is just plain dumb. Seriously, you take your money somewhere where you know it’s going to be taken? Good grief, I want to send the idiot an email telling her that I‘m a Nigerian prince. Although, she might not go for that particular line … all foreigners being evil and all.

As for the rort – well here’s where we get to the fun bit – and the title

of this post. It turns out that this place is not a school, it’s an

extortion racket. All the kids are forced to put all their money into a box and it gets doled back out to them in set pocket money. A tad commie for comrade Enid there, but it’s ostensibly and egalitarian idea. Until you learn that no-one seems to be responsible for the accounting of this slush … er trust account. I bet merry-eyed William gets his grubby little paws all over the dosh and gets his ciggies and gin on these proceeds of extortion.

And you remember fat Ruth – of course you do, her main character trait is that she’s fat (remember, this is Blyton – and in this book we also have Nora, who is Irish). Anyway, it struck me as odd that Blyton would allow such an obviously undesirable person to be part of the right minded majority – Enid being supremely superficial and all. In this chapter I figured it out. She volunteers to do the dirty work. Who volunteers to prod Elizabeth when she doesn’t stand up and sit down with the other lemmings? Ruth. When someone has to shake Elizabeth down for her money, guess who jumps at the chance to do the shaking down? You guessed it. “Nice” people don’t stop to scuffling over a few shillings – it’s undignified and vulgar – they just leave it to the eager underling who yearns for nothing so much as acceptance … AND they’d have to have some horrific physical deformity such as Ruth’s to be qualified to do the job. Ruth’s overwhelming subservience to the regime is what marks her as acceptable – she knows her place and doesn’t presume to aspire to the big table … but everyone needs a flunkey …

Anyway, Elizabeth refuses to hand over her cash (until Ruth forks her purse and dumps it by the box), and states that she thinks the idea is silly and will not be complying. Well, you can almost hear the chant of “kill the pig” starting up in the mob. Elizabeth also announces that she’s going to run away home, at which point her money is placed firmly beyond her reach into the slush fund – and she’s denied pocket money for the week. With, of course, the threat of further punishment to come. Because it can always get worse in Blytonia.

So now our heroine is trapped like Jonathon Harker in Dracula’s castle (guess what I’m reading right now) and is doomed to spend at least another chapter being stood over by the Boarding school Gestapo.

To be honest, I have to say I’m glad she stands her ground in public. It’s the first actual rebellion you see from the girl, and if she could just keep it up, I’d love her forever. Alas, I feel social conditioning coming on ...

First Day Disappointment

All of a sudden it’s been 6 odd months. Good work me. Seriously, I have been looking at this book on my bedside table for the past six months (no matter where I have been – I took it to Europe and the middle-east with me in January) thinking “I’ve got to do some work on that ... I’ll do it tomorrow”. But of course I never do. Such is my life.

 I'm not promising much with this chapter - it's a bit blah (filler before we get to the next chapter), but I'm back online, so one miracle at a time is all you can expect right now!

 Anyway, to recap the story thus far: Elizabeth is a pretty normal child (by which I mean self-centred and rather bratty – and don’t get up in arms over that, you know I’m right) who has been accustomed to accepting that she is some sort of devil spawn. She has become a burden to her hard-living parents who want to go on a cruise. They ingeniously decide that it’s time to indoctrinate the poor girl in the time-honoured fashion of packing her off to school and having someone else do the actual work of raising her. So she goes to school. Said school turns out to have reverted to some sort of Lord of the Flies meets 1984-esque scenario in which Elizabeth is deemed persona non grata on the first day. We left our intrepid heroine on the cusp of sleep, vowing vengeance and declaring that she’ll be home by half-term.

 We open the scene with some bell indicating that it’s time to get up. Nora the enforcer tells everyone, rather unnecessarily that it’s time to get up; Elizabeth “cheekily” decides to stay in bed (she is such a rebel!). Of course Irish Nora doesn’t like this, so she and Fat Ruth (I’m not making this up – she’s called “plump Ruth”) pick up E’s mattress and tip Elizabeth onto the floor – because that’s not at all an overreaction. When Elizabeth objects, Nora threatens to do an unnamed form of violence on the girl because “Monitors do that sometimes, you know”. I love how Whyteleafe rolls: do what we say or we’ll kneecap you! I can just picture Nora waiting in the dorm with knuckle dusters.

 Elizabeth, of course, decides that as open rebellion is not feasible, guerrilla tactics are advisable. So she decides to wear socks instead of stockings down to breakfast. Ooo-er. (just on a side note – I’m not even two pages into this chapter and already they have set times to get up, eat breakfast, rules as to appropriate footwear – what sort of child perpetuates this arrant nonsense? Seriously – you can’t wear socks???). But just when you think Elizabeth has finally given one to the man (or child), she is shamed into the stockings. Sigh.

 School-wide roll-call comes up after breakfast. In this strange event, boys and girls are segregated (why bother with a co-ed school if you're just going to split them up?) and formed up into rows before the roll is called, then the children march out to music. Yes, MARCH. I bet it's not even normal marching - I bet they have to goose step out of the hall. The school strikes me as that sort of place. I wonder whether they have to salute their glorious leader while they're at it?

 This school really gives me the heebie-jeebies: violent monitors, children doling out punishment to one another, lives lived according to a series of bells, no socks allowed, and a vaguely militaristic assembly? THIS is a progressive school? I’d hate to see what Enid thought was old-fashioned. The more I read about this school, the more I’m in E’s corner, willing her to some drastic feat of naughtiness that will release from this hell-hole!

 And it seems we may finally get the chance see such a feat, as class finally begins (and Elizabeth gets a seat in the back row, which she likes because you can be naughty there. How she knows this, having never gone to school before, puzzles me a little). At first we are disappointed, Elizabeth being high on the fresh paint fumes in the classroom to such an extent that she gets a “VERY GOOD” on her dictation. She soon comes to her senses, however, and embarks on her first deed of the mischievous variety: flicking paper at various people in the room.

 *headdesk*

 Really, I despair of the idiot. Go hard or go home, Elizabeth; if you want people to take you seriously as a delinquent, hike up your skirt and do some serious damage. Throw a child through the classroom window, get into a proper fight, trash the teachers’ lounge. Don’t flick freaking PAPER!

 I suppose, in her defence, she does talk back to the teacher, but as the chapter ends with E knuckling under AGAIN (and promising to behave), you can’t really give the girl too much credit. Another disappointing episode in Elizabeth’s school career.

 One thing to note: we learn that Elizabeth likes music in this chapter. It should be noted, as it comes up later in the book, as there is nothing the regime won’t do to ensure the loyalty of their adherents.

 This chapter feels a bit like a filler chapter, and I suppose it is. But the next chapter ... school meeting time! I shall be updating you on that little gem anon (less than 6 months this time – I promise!)

The iron fist in the velvet glove

I can hardly believe that chapter five is reached and Elizabeth STILL hasn't got past her first day.

I could rant about the mixed philosophy of the school yet again, but I think it would be better just to let the principals of the school tell you themselves (for some reason there are two - I don't know why, they don't seem to actually do anything except lollop about in their drawing room). Elizabeth goes to see them this chapter (can I say that I NEVER went to see a principal when I started a new school - and I started at new schools four times in high school). Here's what they have to say to Elizabeth (after laughing delightedly when she said that she was going to be naughty):

"We never punish anyone, Elizabeth," said Miss Best, suddenly looking stern again. "Didn't you know that?"
"No I didn't," said Elizabeth in astonishment. "What do you do when people are naughty, then?"
"Oh, we leave any naughty person to the rest of the children to deal with," said Miss Best. "Every week the school holds a meeting, you know, and the children themselves decide what is to be done with boys and girls who don't behave themselves. It won't bother us if you are naughty - but you may perhaps find that you make the children angry."

A cold shiver ran down my spine when I read that passage. I pictured them sitting there with sneaky hip flasks getting quite squiffy during their conversations with the new brats (it's what I'd do). And that is all I'm going to say about it (there must be something terribly wrong with me today if I'm not running at that red flag).

This chapter "Elizabeth is naughty" exposes Elizabeth to the true brutality that Whyteleaf School authorities (by that I mean the students) are capable of.

Basic plot: Following that not very encouraging meeting with the principals, Elizabeth goes to supper where she is still in food coventry, makes a joke (Enid never did have a very good sense of humour, so I won't try to repeat the joke), then finds out that she has an assigned bed-time.

Elizabeth, predictably, objects to going to bed at 8 p.m.

Irish Nora's response?

"No wonder you're such a cross-patch! my mother says that late hours make children stupid, bad-tempered, and slow."


I rather love that response: it's supremely arrogant (in that Nora has known Elizabeth for less than half a day) and slavishly apes an absentee parent all in one. Nora, however, is a true daughter of Enid: she doesn't stop her parent aping there. No, she takes it to its logical conclusion and decides become an absentee supervisor herself, expecting Elizabeth to do as she's told while she buggers off back to the playroom.

In a massive piece of perversity, Elizabeth doesn't go to bed (gasp). She instead goes to play on the swings (honestly, playroom, swings? If you're going to be naughty, steal some cigarettes and go sit behind the bike shed!). Honestly, this girl is made to be a rebel. I mean, we all know the dangerous effects of swing sets, don't we? It's a slippery slope to slides (I tried not to make the pun, really I did), then merry-go-rounds before she's a full-on jungle gym junkie. Tsk tsk ...

Fortunately for Irish Nora, back-up is at hand to save Elizabeth from this slippery slope. A boy comes along and orders her to go to bed or he'll dob her in to the other kids (fittingly, we're not told which boy - and neither is she - what she doesn't know, she can't dob. Gotta love corrupt government).

"Pooh!" said Elizabeth, and she swung herself very had indeed, put out her foot and kicked the boy so vigorously that he fell right over. Elizabeth squealed with laughter - but not for long! The boy jumped up, ran to the swing and shook Elizabeth off. He caught hold of her dark curls and pulled them so hard that the little girl yelled with pain.
The boy grinned at her and said "serve you right!"

That fight scene started so promisingly. Finally, I thought, Elizabeth is going to actually do something worth her title. Then it was matched and bettered by the other kid and my hopes were dashed.

It would have been so much better if he had hit his head or done some actual injury that would REALLY get Elizabeth in to trouble. All that happened was that Elizabeth came out second best in a fight, and we got a glimpse of the iron fist inside the velvet glove. How is Elizabeth supposed to be naughty when the corrupt system in which she is operating allows right-minded individuals to commit violence with impunity while punishing the minority for the same infractions? This is so unfair to we readers ...

Because of course Elizabeth is going to be dobbed in to the authorites by this unknown boy. And did I mention that he's a monitor?

Here ends Elizabeth's first day in Blytonia. The score? Elizaeth 0, Blytonia 4 (perhaps 5). We'll see how day 2 goes next time.

Shrimp paste and bullying

Blast Enid – she’s gone and annoyed me again.

You may well be thinking well there’s a news flash, but you have to understand that even though I may rail at the old girl, even though I am fully aware that I am not going to agree with a thing she says, even though I read the books with an eye to ripping their guts out, I still open one of her books hoping that this book will not disappoint me. I’m all grown up and I still want to believe Enid when she tells me that if you do this and this and this you will be pretty and successful and everyone will like you ...

So then, when I open a book and read something as stupid as I read in this chapter, I just get annoyed.

Chapter 4 is called “Elizabeth gets in to trouble”. And it annoys me because it’s so very very stupid. The basic outline of the chapter is Elizabeth trying to break every rule that happens to come her way, or to make herself obnoxious, and coming up against the Irish bouncer Nora each time (mixed in is the obligatory oohing and ahhhing over classrooms, but classroom decor porn is more Enid’s thing than mine – seriously, only food is described in more detail). She does things like put too many items on her dressing table (apparently punishable by drawing and quartering) not sharing her food (which sends a person to food Coventry), and having messy hair. I mean, the scope of this girl’s villainy is beyond compare.

Of course, she doesn’t like doing any of these things, and she’s quite upset when she gets punished for them. When bouncer Nora takes her stuff, she instantly wants to redeem it, and she belatedly tries to share her food (but being in food Coventry, she’s turned down ...) and she’s horrified that her hair is messy. You really get the impression that she’s really not trying too hard (and, being a Blyton character, she is smitten with the classrooms – what is it with Enid and big square rooms with desks in it? They aren’t really that exciting ...), which of course gives you the SUBTLE hint that perhaps Elizabeth will stay ...

Seriously, the girl is trying to get expelled and she’s making a fuss over food sharing? If it were me, I’d be sneaking around trying to find what I could burn down. Or perhaps I would look at a fake bomb threat, or taking a classroom full of students hostage. I’d be home again in a day or two – a week, tops (you know, once the police got through with me). Problem solved.

Of course, Elizabeth's problem with disobedience may have something to do with the entirely unexpected form of discipline. I think I mentioned in an earlier post about the bullying aspect of this school. Nora the Irish does like to ‘shove’ her way past a recalcitrant student in her charge, but more insidious is the fact that the students go straight to ridicule the moment someone steps out of their pre-conceived notion of good behaviour. They mock Elizabeth over EVERYTHING she does. And remember, Elizabeth has been at the school for perhaps two hours at this point. She’s tired, her parents shipped her off to school with no notice and no proper goodbye, and ridicule is the most appropriate way to deal with her? Welcome to Blytonia people: this is where sanity comes to die.

I got to the end of the chapter thinking that there was very little that a box of matches wouldn’t solve at that school ...

I forgot to mention the food, which is the only redeeming feature of the chapter. It appears that first day is the day all the students eat the ENTIRE swag of food sent on by their parents. There is an orgy of chocolate cake, jam, shrimp paste, currant cake and other assorted fish pastes. I kept imagining that the fish pastes were contaminated with some sort of salmonella – that would have made the story soooo much more interesting.

Venus Fly trap

So we come to chapter three: Elizabeth makes a bad beginning.

We left our abandoned puppy spurning the affections of a teacher (that sounds sooooo dodgy) as she stared up at the kennel she was to call home. I assume it had kennel-like aspects to it, as Enid never bothers to describe the place (not like the castle of Malory towers, where you were subjected to a minute description every time Enid ran out of storyline).

Predictably, the first thing they do is eat. This is an Enid Blyton story, after all. And I have it on good authority (Enid's) that not liking rice pudding makes you a bad person:


“There was hot soup first, then beef, carrots, dumplings, onions and potatoes, then rice pudding and golden syrup. Elizabeth was so hungry that she ate everything, though at home she certainly would have pushed away the rice pudding.”

That kinda makes me wish that I didn’t throw away the rice pudding I bought the other week when I was shopping (although in my defence, it was artificially sweetened and tasted like crap – I’m not bad, honest I’m not).

So all the kids sit around eating and discussing the inappropriate and irresponsible presents that their parents gave them at Easter (what kind of moron gives a child a PUPPY, when the child lives at boarding school and can’t take the pet with them? Call the RSPCA!). Elizabeth, eating rice pudding (which makes you good) remembers that she wants to be thought of as bad, so takes the opportunity to compare a teacher to a guinea pig.

Whoa – living life on the edge, aren’t we?

Anyway, all the other kids get all pissy about that, then the fun comes. Elizabeth gets shown to her dorm. We’re given, of course, a lengthy description of polished floor boards and blue rugs and trunks that the menials have lugged up the stairs for these little brats.

And we meet Nora.

Do you want to know what Nora is like? She’s Irish. Seriously, that’s Enid’s most used adjective with Nora O’Sullivan (Irish name – check). I am not kidding. The first time there is any description of her, it’s a description of her “blue Irish eyes”. Because all blue eyes are automatically Irish, of course. Of course this sly little adjective colours the way you see Nora (later on, she’s described as “the angry Irish girl” and another time Elizabeth is frightened of her because she’s “big and strong” – so I see a rugby forward with anger management issues). She is, however, heart and mind part of the establishment.

It’s Nora who tells the new girls what form the establishment takes. The school’s co-ed, which is a rarity, Enid liking her children segregated and all.
Anyway, we learn rules like:
- Only 6 things are allowed on your dressing table
- No matter how much money your parents give you, you have to put it in a box and the school shares it out by way of set pocket money
- The sharing of extra funds is determined at school meetings,
- Bad children are fined at school meetings
- School meetings are run by students (teacher participation is sporadic and rare – they’re probably off on holidays with Elizabeth’s parents ...)

You know, I thought the indoctrination by students was bad at Malory Towers where you had strict teachers doling out punishment. But trial by (Blyton) students? No ... just, no.

The school is a progressive school, based on an actual independent school in the UK called Summerhill. Summerhill is a democratic community, governed by school meetings run by the students, and where all classes are optional. The ethos of that school is “freedom, not licence”. The whole idea is that the child is meant to know best what how to learn. Incidentally, the school still runs.

I can see how Enid would be attracted to such an idea - kids governing themselves without pesky parents. I can also see where Enid struggled with it. She is a traditionalist at heart, with her school having compulsory uniforms, compulsory classes, and a militaristic feel from the student body that is slightly alarming. It’s as though the students are inches away from starting a cult or something, there’s just this menacing feel that I can’t quite like, as though all they need is one student to come along and promise more pocket money, harsher penalties for offenders and the extermination of the Jews or something ...

You know what it is? It’s the shadow of Lord of the Flies. There is this bullying feel to the whole place that dresses up as school spirit. The children feel obliged to teach each other lessons all the time, so they’re ALWAYS on other student’s backs to conform conform conform. And then there’s public humiliation – because ALL punishment and trials take place in front of the WHOLE school, which of course is the best way to deal with adolescents ...

In real life, Summerhill School apparently runs quite well, but we are in Blytonia, where, at the end of the day, children DON’T know best unless they are parroting what their absentee parents tell them (in an effort to win their love). And Blytonia, don’t forget, has the angry Irish girl working as an enforcer. The whole thing is just an endorsement of Enid’s idea of (lazy) parenting really – it’s taken it beyond mere absenteeism to actually having the children do all the work. Quite frankly, it’s Enid’s own personal wet dream.

Anyway, we end the chapter with Elizabeth saying to the others that she isn’t going to share her food. DUN DUN DUUUUUUUUUNNNNNNNN .....

who do you blame when your kid is a brat?

OK, this has been shamefully late in coming, but I have an excuse – I have been busy bettering society. Really, I have. I have a new job, and it involves dispensing JUSTICE!!! (at least, that’s what I put on my census form, I couldn’t figure out a better description of my job. It gave me this awesome feeling of power just writing it). What with all my making the streets safe to walk again, Amelia Jane got dumped in a box in my room and forgotten. So it's time for a new story.

Anyway, I was going to do a Famous Five thing, but I ran into a problem: I don’t have the first book in the series. It’s a grave oversight, one which I intend to remedy at the earliest possible moment. In the meantime, I’ll give you the gems to be found in another of Enid’s school time classics:

The naughtiest girl in school.

Chapter 1

Enid has this fault of blaming all of the behavioural traits of a child on its disposition. The title ‘the naughtiest girl in school’ conjures up images of untold horror, a right little cantankerous ... sandwich, who is attacking the other children with her lacrosse stick and trashing books in the library because she feels like it. The reality, as you will soon see, is not so grave. Remember kiddies, we're dealing with Enid-esque naughtiness here: this is upper-class naughtiness ...

So here’s the set up. Elizabeth is a spoilt little rich kid, who has had a number of governesses to look after her. What her mother has been doing, no one knows (because of course she wouldn’t be working, that’s only for nasty common mothers) but she obviously needed help to look after her one child. Anyway, governess number six is going to go, and mummy’s at her wits’ end to know what to do, because, you see, mummy and daddy are going away on a holiday, and mummy can’t possibly be expected to look after the little brat while they’re away.

The solution? Pack her off to boarding school. Not just that, don’t tell her until you’ve organised the enrolment, got all her uniforms, given the staff notice and booked your non-refundable holiday tickets ... you only tell her when there’s less than a week before term starts. Then goad her when she, quite understandably, says she doesn’t want to leave the one place she has ever lived. That will show her how much you care.

I mean seriously, her parents are abandoning her to go gallivanting off ... somewhere. (They never say where they’re going, and as they’re grown-ups, Enid doesn’t much care. That’s not important: JK Rowling may kill her parental figures off, Blyton just packs them on a boat and hopes that they drown.) AND, they’re only going for a few weeks (they’re going to be back before half-term). How do you jump from “I need someone to look after my child while I’m away for a few weeks” to “let’s send our pre-pubescent child, who has had little to no contact with other children, to boarding school”. My own theory is that the parents attacked this issue while they were looking for accommodation for the family pets: the horse gets stabled, the dog is sent to a boarding kennel, the child goes to school where she’ll be fed and watered (presumably) and the parents can pick her up if and when it suits them ...
Wow, and we wonder why the kid is messed up?

Things to note:

Elizabeth is pretty, which means she’s set for Enidificaication (or indoctrination), because Enid cannot bear to have an ugly good person. People’s characters are determined by their looks.

The things Elizabeth will miss at home: Her dog, her canary, her pony. Some people have it tough. Show some sympathy for the poor dear.

Mummy: completely helpless. Looks to others to raise her child. Primary emotion is despair: when Elizabeth shows how naughty she can be by pinning stockings to the governess’ skirt, mummy despairs – “what are we going to do with her?”.

Daddy: mentioned, but completely absent – obviously he doesn’t want to deal with the brat either. Like most of Enid’s father figures, he wouldn’t dream of getting involved in a family cat fight.